Want to be a drummer for Revolutionary War re-enacting? Or just interested in American military drumming? These posts will focus on aspects of American duty calls and military signals of the late-18th century.
How many double drag beatings do you know? How much do you know about double drag beatings? If you re-enact or portray an 18th or 19th century British and/or American…
Did you know there are 8 unique historic variations on Three Camps? The modern version comes from Strube (1869), but earlier manuals show a Three Camps with different rolls (7s,…
The American army, quite understandably, took most of its original drum music (and military tradition!) from the British. Thus, it’s no surprise that the American’s original Drummer’s Call was taken…
At American Rev War events, the most common marching cadence is The Long March as seen in Ashworth (1812). This tradition might have started after the beating was included in…
By the American Civil War, we see a fairly fixed sequence of tunes for the American Reveille. To transition from one tune to the next, manuals instruct the drummer to…
For a long time, Revolutionary War re-enactors have assumed that the Long Roll was used as a signal to ‘sound the Alarm’. This assumption is referenced in multiple drum manuals…
For scholars of American fife and drum duty music, a hugely important question is: Where did American duty music come from? Understanding how the music changed, how to interpret questionable…
There are two major “re-enactorisms” that, in my opinion, damage the usefulness and credibility of Drummers at battle re-enactments: Prime & Load and Make Ready Firstly, the drum beating re-enactors…
If you're interested in becoming a drummer for American Rev War reenacting, congratulations! The hobby absolutely needs more dedicated drummers and fifers. It's important to know however that musicians play…
There are some questions whether or not The Tattoo was played in North America. This is an important question to explore as we try to reconstruct the duties of British…